A couple reunites after a long separation to find themselves in a world that seems designed for their enjoyment and comfort. They immediately get married. During the ceremony, the Judge marrying them confronts them with the reality of their own mortality and challenges them to fight together against death. This perfect wedding day is returned to periodically throughout an examination of their future as they cope with life, love, and death.

Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.

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From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.

Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?

After 14 years devoid of romance, a struggling movie producer and single mom faces the unexpected arrival of 4 men into her life—an author, an actor, a CEO, and a younger man—who might just revive her dormant desire for love.

A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe's energy and outlook help Abner look at life anew and try to reconcile his conflicted past.

With the outbreak of the Korean War, Su-ji and Oh-mok lose their parents. Along with their brother Su-cheol, they go live with their mother's parents. As they go to take refuge, Su-ji loses Oh-mok by accident. Time passes and with her older brother Su-cheol's success, Su-ji enters the high society. But due to the guilt of losing her younger sister Oh-mok, she does a lot of charity work constantly looking for Oh-mok. When Su-ji finally finds Oh-mok in an orphanage, she turns coldly away from Oh-mok for not having any evidence to prove that she is her sister. Oh-mok marries Il-hwan whom she has met at the orphanage and they live a hard life. Finally, Su-ji is convinced that Oh-mok is her sister but after living through such hardship, Oh-mok breathes her last.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?

A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.